Table of Contents
ARTIFACT
THE WAY SHE SMILES, THE THINGS SHE SAYS
TANGLED UP
MIND VAMPIRES
NEIGHBOURHOOD WATCH
SCATTER MY ASHES
BEYOND THE WHISTLE TEST
THE EXTRA
THE VAT
IN NUMBERS
THE DEMON’S PASSAGE
FIDELITY
BEFORE
DUST
WORTHLESS
REIFICATION HIGHWAY
WANG’S CARPETS
TAP
YEYUKA
ONLY CONNECT
Axiomatic is a collection of Greg Egan's short stories that appeared in various science fiction magazines (mostly Interzone and Asimov's) between 1989 and 1992. Like most of Egan's work, the stories focus on science and ideas, sometimes at the expense of the writing. But although Egan may lack a certain stylistic flare, he more than makes up for it with his wonderful visions of the future. Some of the more interesting stories include "Into Darkness," the tale of a rescue worker whose territory is a runaway wormhole, and the title story "Axiomatic," which is about a man looking to find meaning in the senseless death of his wife.
Contents:
The Infinite Assassin (1991)
The Hundred Light-Year Diary (1992)
Eugene (1990)
The Caress (1990)
Blood Sisters (1991)
Axiomatic (1990)
The Safe-Deposit Box (1990)
Seeing (1995)
A Kidnapping (1995)
Learning to Be Me (1990)
The Moat (1991)
The Walk (1992)
The Cutie (1989)
Into Darkness (1992)
Appropriate Love (1991)
The Moral Virologist (1990)
Closer (1992)
Unstable Orbits in the Space of Lies (1992)
In the 30th century, few humans remain on Earth. Most have downloaded themselves into robot bodies or solar-system-spanning virtual realities, escaping death--or so they believe, until the collision of nearby neutron stars threatens life in every form. Diaspora, written by Hugo Award and John W. Campbell Memorial Award winner Greg Egan, transcends millennia and universes in the tradition of Poul Anderson's Tau Zero, Bruce Sterling's Schismatrix Plus, Camille Flammarion's Omega, and Olaf Stapledon's Last and First Men. Diaspora is packed with mind-bending ideas extrapolated from cutting-edge cosmology, physics, and consciousness theory to create an astonishing hard-SF novel inhabited by very strange yet always believable characters. Diaspora is why people read SF. --Cynthia Ward
After developing a lengthy exposé on "frankenscience," SeeNet reporter Andrew Worth is burnt out. So burnt that he passes up a plum assignment covering the new disease "Distress." Instead, he asks for a lower-key job profiling Violet Mosala, a scientist who earned a Nobel Prize at the age of 25 and who is about to announce her version of the Theory of Everything. The TOE is an attempt to explain how all scientific theories fit together, but it may actually be the catalyst that created the universe, making Violet the "Keystone" of the universe. So much for the quiet assignment.
A million years from now, the galaxy is divided between the vast, cooperative meta-civilisation known as the Amalgam, and the silent occupiers of the galactic core known as the Aloof. The Aloof have long rejected all attempts by the Amalgam to enter their territory, but have permitted travellers to take a perilous ride as unencrypted data in their communications network, providing a short-cut across the galaxy's central bulge. When Rakesh encounters a traveller, Lahl, who claims she was woken by the Aloof on such a journey and shown a meteor full of traces of DNA, he accepts her challenge to try to find the uncharted world deep in the Aloof's territory from which the meteor originated. Roi and Zak live inside the Splinter, a world of rock that swims in a sea of light they call the Incandescence. Living on the margins of a rigidly organised society, they seek to decipher the subtle clues that can reveal the true nature of the Splinter. In fact, the Splinter is orbiting a black hole, which is about to capture a neighbouring star, wreaking havoc. As the signs of danger grow, Roi, Zak, and a growing band of recruits struggle to understand and take control of their fate. Meanwhile, Rakesh is gradually uncovering their remote history, and his search for the lost DNA world ultimately leads him to a civilisation trapped in cultural stagnation, and startling revelations about the true nature and motives of the Aloof.
What happens when your digital self overpowers your physical self?
A life in Permutation City is unlike any life to which you’re accustomed. You have Eternal Life, the power to live forever. Immortality is a real thing, just not the thing you’d expect.
Life is just electronic code. You have been digitized, scanned, and downloaded into a virtual reality program. A Copy of a Copy. For Paul Durham, he keeps making Copies of himself, but the issue is that his Copies keep changing their minds and shutting themselves down.
You also have Maria Deluca, who is nothing but an Autoverse addict. She spends every waking minute with the cellular automaton known as the Autoverse, a world that lives by the mathematical “laws of physics.”
Paul makes Maria an offer to design and drop a seed into the Autoverse that will allow her to indulge in her obsession. There is, however, one catch: you can no longer terminate, bail out, and remove yourself. You will never be your normal flesh-and-blood life again. The question then becomes: Is this what she really wants? Is this what we really want?
From the brilliant mind of Greg Egan, Permutation City, first published in 1994, comes a world of wonder that makes you ask if you are you, or is the Copy of you the real you?
It's late in the 21st century and bioengineering is now so common that people are able to modify their minds in any way they wish. It is an era which has been shaped by information systems so vast that security, in any form, is easily breached. Now, you can be whatever you want to be, and do whatever you want to do. On Earth anyway. One night, thirty three years ago, the stars went out. 'The Bubble' - a perfect sphere centred on the sun - appeared in the sky, isolating the solar system from the rest of the universe. For thirty-three years, humanity has lived with the religious cults and terrorism which spawned in the wake of the darkness. e are now alone. Humanity has been cut off -Quarantined.
Twenty thousand years into the future, an experiment in quantum physics has had a catastrophic result, creating an enormous, rapidly expanding vacuum that devours everything it comes in contact with.
Now humans must confront this deadly expansion. Tchicaya, aboard a starship trawling the border of the vacuum, has allied himself with the Yielders—those determined to study the vacuum while allowing it to grow unchecked. But when his fiery first love, Mariama, reenters his life on the side of the Preservationists—those working to halt and destroy the vacuum—Tchicaya finds himself struggling with an inner turmoil he has known since childhood.
However, in the center of the vacuum, something is developing that neither Tchicaya and the Yielders nor Mariama and the Preservationists could ever have imagined possible: life.
As a young boy, Prabir Suresh lives with his parents and sister on an otherwise uninhabited island in a remote part of the Indonesian peninsula. Prabir names it Teranesia, populating it with imaginary creatures even stranger than the evolutionarily puzzling butterflies that his parents are studying. Civil war strikes, orphaning Prabir and his sister. Eighteen years later, rumours of bizarre new species of plants and animals being discovered in the peninsula that was their childhood home draw Prabir's sister back to the island - Prabir cannot bear for her to have gone out alone and he follows, persuading a pharmaceutical researcher to take him along as a guide.
He is the world’s greatest film director. His characters, his scenery, his costumes―all are authentic, zestful, artistic, artful.
But nobody knows he is the world’s greatest film director. Maybe nobody ever will. For all of his masterpieces are stored in an impregnable canister: the head of the film-maker. Inside his brain, nestling safely, reel upon reel of film, magnificently photographed, brilliantly edited, not a frame of it accessible to the viewing public.
An Unusual Angle is about the making of this great film. It is also the film itself. Here is a blazing epic of stupendous events: four years of an ordinary Australian secondary school. Few would have suspected before that an ‘ordinary’ school could provide the material of rich humour, zany lunacy and near tragedy.
Greg Egan was born in Perth in 1961. He was educated at the University of Western Australia. He has worked for mercifully brief periods as a kitchen hand, a milk-vendor’s runner, and as a public servant. Meanwhile, his real efforts have been directed towards writing novels and short stories (four novels and a book of short stories written so far) and making amateur films (a 65-minute, 16 mm film completed recently).
In the near future, journalist Martin Seymour travels to Iran to cover the parliamentary elections. Most would-be opposition candidates are disqualified and the election becomes the non-event the world expects. But shortly afterward a compromising image of a government official captured on a mobile phone triggers a revolutionary movement that overthrows the old theocracy. Nasim Golestani, a young Iranian scientist living in exile in the United States, is hoping to work on the Human Connectome Project — which aims to construct a detailed map of the wiring of the human brain — but when government funding for the project is canceled and a chance comes to return to her homeland, she chooses to head back to Iran.
Fifteen years after the revolution, Martin is living in Iran with his wife and young son, while Nasim is in charge of the virtual world known as Zendegi, used by millions of people for entertainment and business. When Zendegi comes under threat from powerful competitors, Nasim draws on her old skills, and data from the now-completed Human Connectome Project, to embark on a program to create more lifelike virtual characters and give the company an unbeatable edge. As controversy grows over the nature and rights of these software characters, tragedy strikes Martin's family. Martin turns to Nasim, seeking a solution that no one else can offer... but Zendegi is about to become a battlefield.
